:format(webp)/http://s3.amazonaws.com/projects-files/49/4967/496773/fa0180da-f6e6-4a73-a613-d425c69e9e4a.jpg ".")
:format(webp)/http://s3.amazonaws.com/projects-files/53/5372/537259/4cbf6f31-8d26-4c3c-aa8a-e42d5a26c8e5.jpg "This is the final result of several projects to produce all the graphic elements for the first book of the “Wonders of Windsor Mystery Series”, which stories talk about the adventures of a small group of children in their hometown.
The original characters were designed by Sharad Kumar and Manel Mendoza. The following characters, that appear throughout this story, were created by me with the same technic of the first ones (in Adobe Illustrator).
The biggest challenge designing the book cover, but specially when making the illustrations, was to keep faithful to the original style and physiognomy of each character, while putting them in different poses and situations. It was important that they would gain life but still being easily recognized.
The other elements of the book, like the symbols of each chapter, as well as the representation of the series, were made following the same graphic line of the logo, that I had previously designed.")
:format(webp)/99designs-contests-attachments/107/107145/attachment_107145375 "This design was a layout proposal and was never published. It was created for a fictionalized biography, aimed for 8-12 age children (mostly girls).
In this novel Ave shares the letters of her best friend Katie and recounts her memories from the time they escaped a convent as young adults (where they were nuns), until Katie’s death at the age of 53.
The story is set in Western Germany from 1523 to 1552, in the time of the Protestant Reformation. Therefore, my main attention was to have all the clothing and other details representative of this specific period in time.
As the letters sent between the two friends are the main focus of the entire story, I’ve decided to use a font in the title (and in the header of the back cover text) that could represent the handwriting of one of the women.")
:format(webp)/http://s3.amazonaws.com/projects-files/66/6627/662729/f17db78f-9feb-400e-a716-cc619fd443ae.jpg "This book is about Grayson, a young adult that struggles with drug addiction and his girlfriend, Emily, a recovering alcoholic. Emily takes her sobriety very seriously, while Grayson has not been able to make that commitment yet.
Instead of showing the characters, I decided to go for a more symbolic approach, in order to make it different from the common romance books.
I used the contrast between cold and warm tones to transmit the concept of “choices” that the characters need to make in their lives.
In this design the blue tones represent the sad and numb life of addiction, the struggles and the dramatic consequences… and the yellow/orange tones represent the recovery and the achievement of finally become sober.
Grayson is still struggling in a “cold life”, while Emily has already overcome her battle. The orange flower is Emily that blossoms from branches that seem to be almost dry. While Grayson is still the cold reflex in the water of what can become his future.")
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:format(webp)/99designs-contests-attachments/103/103894/attachment_103894291 "Inte som du tror (translated from Swedish \"Not as you think\") is a story that mainly takes place in a school, about two girls with ages around 13 years old.
It talks about how the two girls deal with each other and how their attitudes may hide more severe and private problems.
One of the important details of the story is the finding of an old diary written in the 19th century by a girl of the same age. This diary inspires one the girls to start reading the Bible and pray to God for the other one. That is why I placed one of the main characters as a central point of the cover, holding an old book, while the other girl is seen on the top almost hidden in the middle of her long blonde hair.
As the target group for this book will be teens but also adults, the author didn’t want it to signal teen’s fiction too much.")
:format(webp)/99designs-contests-attachments/118/118528/attachment_118528714 "“Rummet innanför” (translated from Swedish \"The room inside\") is the sequel of “Inte som du tror”, which book cover I had previously designed.
Some events and details on the story led to the choice of the elements in the design. The main characters — Bella, Miranda and Erik — are on summer holiday. Bella is searching for answers about her family's history, after finding a revealing picture. Miranda is haunted by memories from a fire at her school. Erik is working at a soccer school for kids. As requested, the main scenario needed to also include a mansion, as well as a sports car.
As in many books which target audience are teens, it was important to give some clues but without revealing too much of the plot.
I followed the same style of the first book, as well as the placement of the characters and background effects. However, to better distinguish both books, I used a different color scheme with fresh tones to make the connection with summer season.")
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:format(webp)/http://s3.amazonaws.com/projects-files/46/4689/468949/d33af487-8d7b-45af-8a95-2fdbdadbfab8.jpg "\"Breaking Regulations\" is science fiction disguised as dark fantasy. Most of the book takes place in the outer section of a cylindrical generation ship that is mainly croplands and walled towns. The main character is Marcus, a mercenary swordsman.
The design has a dark and mysterious atmosphere, not only to match the story, but also to better catch the attention and curiosity of the potential buyers/readers.
Not showing too much of the interior of the ship, also allows everyone to imagine it in its own way, when they read the descriptions on the book.")
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:format(webp)/http://s3.amazonaws.com/projects-files/25/2559/255963/36cc2723-e7dc-4ea7-a55b-d64d0da2ef72.jpg "This design was created for a Christian romantic fiction for readers between 35-65. It is an Amish novel about innocence and unrequited love.
Since the story is set during the summer in a farm, the client requested a design in earth tones and of the fall harvest - hay piles, wheat fields or of golden corn.
As the landscape spreads to the back cover, it gives a sense of vastness, like a field that never ends, but it also helps to balance the entire book cover.")
:format(webp)/http://s3.amazonaws.com/projects-files/54/5478/547814/a74b00b9-fb39-4bd8-b853-8105f10b6c2a.jpg "“Help! Ik Verveel Me” (translated from Dutch \"Help! I’m bored\") is the story about Sarah, an 11 years old girl, and a crazy idea of her parents: a week without a phone.
Without it, Sarah doesn't know what to do. But because she is bored, she dreams about so many things and she finds out that a little boredom is not so bad. It makes her creative.
The design was made using some of the illustrations of Charmaine Lam, that also appear in the interior of the book. As these illustrations represent drawings as being made by a child, I kept the same style in order to respect the initial vision of the illustrator and the author.
I had to dedicate a special attention to all the new elements that were added to the book cover. For that, I followed the same kind of trace and textures of the existing images. However, the colors were slightly intensified to catch the attention of the viewers. The choice of fonts also helped to give a certain “childish style” to the entire design.")
:format(webp)/99designs-contests-attachments/109/109469/attachment_109469306 "This design was a layout proposal and was never published. It was created for the 4th thriller of the Edgar Vincent series. As a result, it follows the same graphic style of the previous eBooks.
In this story the detective is ready to take a vacation, after high-stakes situations and near-death experiences. But those wishes are cut short when his past returns to haunt him, in the form of a Russian mobster.
Instead of showing a real scene, I decided to create a representation of the plot in which the story takes place. In the image Edgar Vincent is just ready to enjoy his deserved vacations… when the events of his past come to spoil his plans. That is why he is looking back in the direction of what is a visual representation of Russia.
This idea is also associated with the choice of the color Red. The vibrant tone creates impact and a certain mystery, reinforced by the contrast of intense lights and shadows.")
:format(webp)/99designs-contests-attachments/66/66281/attachment_66281301 "I wanted the cover to emanate nostalgia and i thought the image of a pair of stranded luggage at a train station suited my concept exactly.")
:format(webp)/99designs-contests-attachments/77/77297/attachment_77297447 "The first thing that popped to mind when i read the book's plot about a young man who studies phychology and starts having hallucinations, was the Rorschach test. That's why i decided to use as my main design element a Rorschach inkblot. The inkblot was painted from scratch in Photoshop. I think the shape, apart from the meaning of it, conveys a sense of mystery that suits the genre perfectly.")
:format(webp)/http://s3.amazonaws.com/projects-files/49/4928/492880/7efa7930-829e-46f5-a573-f719a90ca8a7.jpg "This new fiction series of Michelle St. James is about experience, it's about sexuality and its boundaries.
The request was to transmit these subjects but in a sophisticated way, for a mature audience.
The red ribbon is the focal point of all the covers, assuming several meanings, from the practices of BDSM to the psychological challenges of the relationships in the story.")
:format(webp)/http://s3.amazonaws.com/projects-files/25/2559/255963/118d35e5-acaa-4ab1-874b-7df82e095a51.jpg "Young adult fantasy genre trilogy (book 1) about a brother and sister that travel to a mystical place called Ohm Totem.
This place is a world where animals have special powers and communicate between themselves, being distinguished by the color of the crystal stones that they carry on their forehead.
The magical and, at the same time, frightening atmosphere that was given to the forest on the design, reveal the main feelings transmitted throughout the story.")
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:format(webp)/99designs-contests-attachments/111/111637/attachment_111637866 "This design was a layout proposal and was never published.
Based off of Grimm’s fairy tales, this is a romance between two women that explores the nuances of what happens after “Happily ever after”.
Their names — Rose and Snow — allowed not only to give a symbolic representation of the characters, but also to show the contrasts of what unfolds during the story.
As the plot begins with the arrival of an invitation to the King’s wedding, followed by the court life and the castle’s secrets, this building took also an important place in the entire design.
Since the client wanted the cover to embody dark romance reminiscent of a gothic novel, I decided to use a very dark palette, with high contrasts and grainy textures. This graphic style, and also the only color (Red) present in the design, helped to highlight even more the main element: the rose with the snow.")
:format(webp)/http://s3.amazonaws.com/projects-files/42/4256/425638/31b21383-de42-41dd-95af-1f376f9d60d9.jpg "\"Der Happy-End-Chroniken\" is an autobiographical series which includes several fiction novels as well as non-fiction books.
This story of Coco’s life is about how to overcome abuse and violence and find love and harmony permanently. The main concern of the writer is to make her readers strong and to encourage them to heal themselves and free them from outside regulation.
There is an element of “magic” that needed to be present in the design, in order to transmit not just the atmosphere of the novels but also the system used by the author in the healing process. The unexpected color of the yellow clouds helped to achieve this effect, as well as the “flying dandelions” that represent the freedom achieved during this process.
These special details were also used to keep a consistency in all the books of the series.")
:format(webp)/99designs-contests-attachments/111/111836/attachment_111836164 "This design was made for a fictional drama/romance which story, filled with family dynamics, is set in an equestrian property in Australia.
The main requests from the author were a design with an air of luxury (with details in gold) and the picture of her own mare Anastasia — “I want it to stand out in an almost 3D effect”.
Therefore, I decided to place the image of the horse in a very large scale and also with an effect where it seems to get out of the page. Its body extends to the back cover, giving a deep dark contrast to the entire design. This creates a very dramatic appearance but also a sophisticated style, helped by the warm golden tones on the background and on the title.
Then, I made a line drawing of the house, from the picture that the client had provided of the property in which the story takes place, and I included it on the title... almost as if it were part of its “Logo”.")
:format(webp)/99designs-contests-attachments/103/103867/attachment_103867325 "These designs were a layout proposal and have never been published.
They were created for a YA dystopian romance set in parallel universes. The author wanted to have that sense of duality represented in the design, but in a way that it would be completely clear that the first book was set in our current universe, and the second one in a dystopian universe at the same place.
As one of the details from this dystopian universe was that all trees were dead, I used the image of two massive trees as the main focal point. They helped to represent the differences between those two worlds, also intensified by the different color schemes.
The poses of the girl (main character in the story) also reinforce the titles of each book: a static pose for “Here” and a moving/running pose for “There”.")
:format(webp)/http://s3.amazonaws.com/projects-files/50/5013/501370/73ce11e0-6939-4921-a8a8-dfbf6adccb4d.jpg)
:format(webp)/http://s3.amazonaws.com/projects-files/32/3275/327545/9950295b-01b9-4253-8180-25fa4e09e7ff.jpg "Design for book 2 of the Vampire Queen Saga, a mature dark fantasy novel that revolves around the search for a viking-style shield, with a raven's head painted on it.
I designed a stylized raven to incorporate in the main zone of the shield, very much in the style of the ancient heraldic and tribal symbols. The main challenge was to have the eye right at the center, making it almost “alive”. This also helped to represent the shield as something special and unique.
The other request of the author was to have a nautical feel, as most of the book takes place at sea or in port.")
:format(webp)/http://s3.amazonaws.com/projects-files/83/8317/831780/6ffae32d-630d-4ab1-bbd4-d473e751ac18.jpg "This is a Christmas book for kids and families to read together during the holidays. As the story is set in the North Pole, the author requested a very colorful and wintery atmosphere with vibrant tones of blue and cyan, that could catch the attention of the viewers.
As the book is meant not just for kids but also for their adult family members, it was decided to follow a more realistic approach, instead of a cartoon style.
The three main characters — a giant horse, a cowboy and a small elf — are the focal point of the entire illustration that I created for this cover. This illustration was entirely made in Photoshop, with several versions until it was reached the desired result.
The main challenge was to represent those characters with all the details that were described in the text and still make them appropriate for a children’s audience. The vibrant colors were a big help to achieve that goal.")
:format(webp)/http://s3.amazonaws.com/projects-files/77/7749/774991/c85e4bb3-209d-46d9-a807-71321953223b.jpg)
:format(webp)/http://s3.amazonaws.com/projects-files/65/6577/657787/634ac9ff-acc5-4543-bb1e-afddd48951b8.jpg "This is the second book of the Annalisse Series, a romantic mystery novel.
The design was created following the original vision of the author that already had in mind the inclusion of very specific elements.
The main objective was to lean more on the “mystery” side of the story, which revolves around a murder and disappearance. Therefore, instead of showing the main characters, the design presents some objects that have an important role or that give some clues about the development of the plot.
The roses were one of the details that required a special attention. They couldn’t be too bright or too perfect. So, I made them all different: from the one that is still bright and fresh, to the other that opens its petals, and all the others that start to wilt and die… exactly like the several stages of a life.")
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:format(webp)/99designs-contests-attachments/102/102589/attachment_102589981 "This design was a layout proposal and was never published. It was made for the prequel of the “Edgar Vincent Thrillers”.
In this story the police partner of Edgar Vincent goes missing. The Chicago PD's homicide division abandons the search when his car is found near Lake Michigan, with a suicide note on the seats and absolutely zero traces of a body.
Edgar Vincent, however, cannot sit still while this injustice is carried out in the name of his partner, and decides to hit the mean streets of Chicago to track his buddy down, playing detective against the orders of his superiors, facing Chicago’s more sinister characters in the process.
My idea was to transmit that dark and dangerous atmosphere by showing the silhouette of the detective in one of the Chicago streets.
The contrast between the shadows and the spots of bright light helped to intensify the drama.")
:format(webp)/99designs-contests-attachments/110/110914/attachment_110914866 "This design was a layout proposal and was never published.
It was created for a cautionary tale about what America is becoming. This science fiction book is a sort of metaphor for what is happening in our society, bringing the excitement and intrigue of paranormal and spiritual discovery, together with a supernatural battle between spiritual forces in an age of advanced technology and cultural shifting.
As it is set in San Francisco, the client required a clear skyline of the buildings of the city, from which a giant violet construction stands out, not only by its size but also by the different appearance and materials.
The major challenge was precisely to represent that giant building in a way that could show its different nature, following the descriptions on the book — “some kind of magnetic force field, not glass or steel”.")
:format(webp)/http://s3.amazonaws.com/projects-files/47/4747/474796/649a567e-893d-44f8-8f92-5a4a726f2d09.jpg "Book 4 of the \"Melanie Hogan Mysteries Series\", which stories always take place within the environment of an hair salon.
This particular book is about a murder and the struggle of the main suspect to solve the mystery, to avoid being arrested.
Apart from some hairdresser instruments that are always placed on the back cover of all the books in this series, one of the requests of the author was to incorporate a large flower garden where some of the action takes place. The flowers also helped to represent and reinforce the title, changing some of them to a blood color.")
:format(webp)/99designs-contests-attachments/111/111126/attachment_111126519 "“Meer der Stille”, translated from German as “Sea of Silence”, is a Sci-Fi Thriller set in 2048. An international crew embarks on a flight to Mars, when they’re awaken by the emergency protocol. The chaos and destruction reign on board, making impossible to complete the mission to their final destination... or even to return to Earth. The journey into nothingness begins.
Apart from requiring a spaceship with a specific shape, damaged and with visible signs that would represent the unfortunate events, the client also wanted to convey the impression that the ship was drifting and completely lost in space.
Therefore, I decided to place it in a certain way (in the diagonal) in order to give a sense of instability, to better represent its critical situation while is being destroyed and outside of its route.
The effects that I gave to the title also reinforce that destruction, where the metal appears scratched and burned.
This design was a layout proposal and was never published.")
:format(webp)/http://s3.amazonaws.com/projects-files/47/4747/474796/28f5f63c-8f1a-4a44-a76d-762168be2c92.jpg "This is the first book of the \"Melanie Hogan Mysteries Series\", which stories always take place within the environment of an hair salon that the main character owns.
Although the author didn't have any specific requirements at the beginning of the process, she had a preference for a \"woodsy look/feel\".
A lot of the action takes place in the small log house on a lake in Minnesota, where the main character lives. The author wanted to show how that home was her sanctuary. So, the chairs on the deck in front of the lake helped to transmit that idea.
There is also a detail in the back cover that appears in all the books of this series — the inclusion of some hairdresser instruments, to better make the connection with the main theme.")
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:format(webp)/http://s3.amazonaws.com/projects-files/47/4742/474250/2fb59673-6c53-47d3-aaff-3713276b584e.jpg "This design was created for a science fiction novel, set about a dozen years in the future.
The diagonal form of the buildings gives a great depth to the cover, also helped by the running man and the strong light at the end of the street. This contrast between zones of light and shadow was made to create impact and transmit a sense of mystery.
Since the story has to do with the malicious, mesmerizing effect of a presence on social media, the author wanted to include some kind of electronic device (mobile, tablet or computer).
However, I also added some details as a watermark, like the circular grid with the zero and one numerals, in order to have a certain \"technological atmosphere\".
Another of the requests was to create the design with a blue/gray palette with gold highlights, since this is a color combination that can attract the public of this book genre.")
:format(webp)/http://s3.amazonaws.com/projects-files/53/5364/536422/21e35722-23ae-47ad-bb7f-98cf82c4b9b6.jpg "This is a children’s book that tells the story of Inky, a boy with a “special power”: he makes people happy by touching them with his index finger. But there is one drawback. Every time he touches someone, he leaves behind a small Inky tattoo, like an \"i\" inside a circle.
This is the first book in the series, where the boy tries to learn how he can make people happy without touching them, because none of his friends want any more Inky tattoos.
Until he meets Pinky. She's always sad so Inky tries his super power on her. And guess what? It doesn't work on her.
I created the illustration for this design, following the examples and descriptions given by the author, to perfectly match with the two main characters in the story.
The vibrant colors were chosen not only to catch the attention of the children but also to transmit a joyful and positive atmosphere.")
:format(webp)/http://s3.amazonaws.com/projects-files/14/1466/146644/c2a49403-5642-4386-aa55-1106000dc9ff.jpg "A fantasy adventure story for 8-12 year old children (middle grade fiction).
This magical story takes place in the interior of a unique library. It's an adventure full of discoveries carried out by a group of children.
The flames and the way that lights were added to the book cover, with its rays and smooth glows, help to give that \"unreal\" feeling to the environment.
The inclusion of a beautiful phoenix was also one of the requests from the author.")
:format(webp)/http://s3.amazonaws.com/projects-files/49/4980/498095/b99d89e4-2986-497b-b1b2-4699cfc8ea90.jpg "The book’s main character is a vigilante-for-hire who runs a high end mercenary organization, headquartered in Boston.
As this is the first book of a set of several new series, the author requested a slight different approach, in relation to what had already been done on the previous books, as long as it would fit her already very well known brand.
When I made the research of the publishing design trends within this genre I noticed that, whenever there's a cover with an image in a big scale, it stands out from the others in an incredible way, specially when they have a face looking at the viewer.
I immediately remembered how the eyes of the models (and a particular gaze) is one of the details that identify so many of this author’s books — the direct look at the reader, that catches the attention and also seduces, is almost her trademark.")
:format(webp)/http://s3.amazonaws.com/projects-files/25/2559/255963/d4ae8091-0166-471c-89b1-03dfa36b8a95.jpg "This design was a layout proposal and was never published. It was made for a fictional story about the mystery of Edgar Allan Poe's death in 1849.
I've recreated the atmosphere of that time, not only through the costumes of the characters but also with the dark and mysterious environment.
The contrast between the intense lights and the shadows transmits the dramatic feeling that was required.")
:format(webp)/http://s3.amazonaws.com/projects-files/15/1511/151128/d74b0724-9e30-46f7-a185-a1b11bc9cb24.jpg "This is an inspirational fiction that takes the reader on a journey of discovery, both physically and emotionally. The story takes place from modern day London to the ancient wisdom of China.
The author requested a design that could transmit a relaxed and peaceful feeling, but that could also catch the attention and curiosity of the viewers.
The Yellow Mountains in China was the landscape chosen to illustrate the journey of the book.
The cherry blossom also represents the inner development throughout the entire story.")
:format(webp)/http://s3.amazonaws.com/projects-files/40/4072/407256/9cf622ad-d31e-4e03-b2bb-1c0dd58bcf05.jpg "This is the cover for the hardback edition of \"Die Schulter des Riesen\". A literary fiction novel by Raffael Rauhenberg.")
:format(webp)/99designs-contests-attachments/101/101115/attachment_101115844 "This is a thriller book series, which stories take place in the town of Hollow Green. The detective Edgar Vincent is the main character that investigates several crimes.
In book 1, “Hollow Green\", young women are murdered during a snowy winter. One of the victims is found in a colonial old house, which can be seen as a central detail in the design.
The cover was made to catch the curiosity of the viewers and to transmit a sense of mystery and fear, but without revealing too much of the story.
In book 2, “Hollow’s Eve”, the brutal murder of a young man is committed in the woods. While investigating, the detective’s fingerprints are found riddled throughout the crime scene.
This is one of the most important details of the story that will influence the course of the events. That’s why it was included a fingerprint in a large scale that merges with the background.
This design for book 2 is a layout proposal and has never been published.")
:format(webp)/http://s3.amazonaws.com/projects-files/75/7503/750341/99096dd7-f1e8-4f69-837f-77b31e8e5298.jpg "“Die zehn Vorteile des Schleiers”, translated from German as “The ten Advantages of the Veil”, is a collection of seven short stories in the erotica genre telling the adventures of different people, in different countries.
The client requested a design that could reflect the book title with a female face partly covered by a veil, where the eyes, looking straight at the viewer, would become the central point of attention.
The simple typography chosen and the warm red color also helped to create the atmosphere that was intended, making even a better connection with the book genre.
The golden tone given to some texts also added a detail of sophistication to the entire book cover, as well as they helped to alternate the paragraphs that describe each story in the back cover.
As this is the first book in a series, the design was also thought having in mind a consistent graphic line throughout all the future books.")
:format(webp)/http://s3.amazonaws.com/projects-files/47/4747/474796/b6f4e823-f36a-4a61-a975-c7e480013411.jpg "A romantic suspense set in the Colorado Mountains, about a woman who is searching for herself in life.
Running away from a violent ex-husband, this single mom takes refuge in a idyllic resort that she inherits from a friend.
A sunset with a porch in front of a lake, with Rocky Mountains in the background, were some of the details required by the author to include on the book cover.
The sunset colors also helped to give the desired impact, fundamental to catch the attention of the viewers.")
:format(webp)/http://s3.amazonaws.com/projects-files/32/3275/327545/a1df4bb9-376a-4150-9749-7b1b6453d28d.jpg "Dark fantasy book (first one in the Vampire Queen Saga) with a strong horror element, for a mature adult audience.
This is a story about the search for a magic sword, which needed to figure prominently on the cover. The descriptions of the author leaded to a Viking style, with a touch of horror and almost alien feel.
In the design I wanted to transmit that the sword had special characteristics, a unique piece, that would seem almost “alive”.
However it wasn’t easy to decide where the main details should be placed, in order to keep it “usable”, as it were a real sword that is meant to be handled and strong enough to fight a battle.
The eyes in the background and the big red moon helped to give the desired impact.")
:format(webp)/http://s3.amazonaws.com/projects-files/25/2559/255963/77f7bee0-67fe-4ca6-924e-b795a376d17c.jpg "This design was a layout proposal and was never published.
The cover was created for an Urban Fantasy Serial. This is a story about a man who is a member of a motorcycle club that hunts supernatural creatures and eliminates them.
The graphic effects on the main title make the connection with the chrome of the motorcycles, as well as the background texture lead us to the black leather jackets.")
:format(webp)/http://s3.amazonaws.com/projects-files/66/6682/668227/b8f51cb5-f499-4a3a-ac51-466ab4085819.jpg "For the first time after several series, the author decided to have a female model as the main subject of the design instead of a man. Despite her target audience being usually attracted by models of the opposite sex, as the story is developed around a strong woman, it made sense to make her the focal point.
The request was to represent her as a sophisticated and powerful character, but that could also transmit a sense of sensuality, which is one of the more important aspects of this author’s books.
The draped fabrics on the photos, as well as the particular blue tone that was chosen, helped to achieve the requested style, as well as to keep a consistency in all the books of this series.")
:format(webp)/http://s3.amazonaws.com/projects-files/71/7187/718782/975df476-628b-409b-8899-fd5a0853c9be.jpg "This is a novel-drama which main characters are two musicians. Following the story, my approach was to transmit all the main aspects in a symbolic way, giving the right amount of clues, but without revealing too much of the plot.
The subtitle “Only one season for Love” was the starting point. By including the two characters in a field full of flowers, I’m representing that idea of the “season”, the only season that they will have. The dark sky, full of heavy clouds, shows that this isn’t a happy and light story.
The placement of the characters in the design transmits the distance between them that is revealed throughout the story. I’ve placed the pianist near a tree, because this element is a symbol of “rebirth”, of restarting a new life… a new opportunity.")
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